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I'm training to be an engineer <a href=" http://buynizagara.storemeds.net/ ">buy nizagara online</a> Benny and Lombard say their lines and wear their make-up well enough for the story to move along. They are, as the credits say, Joseph Tura and Maria Tura. But they carry these roles as forms of half-donned costume, and we keep seeing in them not the tale of Polish actors playing parts but the literal reality of American actors playing themselves. In this way Lubitsch designs their escape from simulation, and his strongest answer to the Nazis is not to suggest that there are better historical actors than they are, but to create figures who can appear not to be acting. Of course to play oneself is still to play a part, but it is also to assert a form of freedom. Behind or inside Benny the terrible classical actor is Benny the impeccable comedian, and if many of his lines are too dark or bitter to be funny, his timing and his sense of himself create a whole new dimension for the film. The implication is not just that the Nazis and the story he is in are ridiculous but that he is not really there. He is not even trying to believe what isnât or shouldnât be believable.
